An in-depth look at Hayao Miyazaki’s beloved animated film.
All in FILM REVIEWS
'Sorry to Bother You': Skewering America, one absurdity at a time
Boots Riley’s satire is a vital - and utterly loony - provocation.
'Skyscraper': The Rock stands tall in very tall tale about very, very tall building
It’s one of the more entertaining stupid movies not featuring dinosaurs in recent memory.
The half-year in review: The best and worst movies of 2018, so far
Time for a progress report.
'Won't You Be My Neighbor?': Mister Rogers' clarion call for kindness
Morgan Neville’s documentary is a warm, earnest biography.
'Ant-Man and the Wasp': Some necessary shrinkage for the Marvel Cinematic Universe
Paul Rudd keeps the tone light after the great heft of “Avengers: Infinity War.”
'Sicario: Day of the Soldado': Amoral men, stepping from the shadows
Benicio Del Toro and Josh Brolin return for an unlikely sequel - but they pull focus from truer intentions.
'Jurassic World: Fallen Kingdom': Continuing the ridiculous new reign of the dinosaurs
Like the previous film, it’s brainless, entertaining escapism.
'First Reformed': Paul Schrader's essential ecclesiastical wrestling match, revisited
Ethan Hawke anchors this riveting satirical drama, playing a preacher amidst a crisis of faith.
'Incredibles 2': The art of fun
Brad Bird’s sequel is a visually inspired display of scintillating action and rich comedy.
'Ocean's 8': A shallow but enjoyable dip into formulaic waters
Sandra Bullock and Cate Blanchett lead a team of all-female shysters interested in a big score more than sexual politics.
'Hereditary': Oh mama
Toni Collette is a force in the newest arthouse-style freakfest.
'The Rider': The sad ballad of a broken cowboy
This is one of the best films of 2018.
'How to Talk to Girls at Parties': Neil Gaiman adaptation works in misfits and starts
He’s an Earthling. She’s an alien. It’s a star-crossed love story.
'Solo: A Star Wars Story': I have an ambivalent feeling about this
Here’s how your favorite smirking space pilot fulfills predetermined plot points.
'Deadpool 2': The critic's blatantly self-aware review of a blatantly self-aware movie
Superhero tropes get upended, again.
'Tully': Charlize Theron is a woman on the verge of a nervous breakdown
An insightful tragicomic character study stumbles a little down the stretch.
'Final Portrait': An incomplete, by design, portrait of a portrait artist
Geoffrey Rush molds artist Alberto Giacometti as a charismatic eccentric.
'You Were Never Really Here': The great intensity of Joaquin Phoenix
Lynne Ramsay’s new film is grueling and essential.
'The Week Of': Adam Sandler is father of the snide
Another mean-spirited Netflix yukfest from the prolific comedian.